Showing posts with label music history. Show all posts
Showing posts with label music history. Show all posts

Riot On Sunset Strip Review

Riot On Sunset Strip
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It's amazing how many music styles melded on one stretch of road in one city during just a two-year period! This is not an ordinary road but the main one - Sunset Strip (actually Sunset Boulvard) - and not just any city. It's HOLLYWOOD, CALIFORNIA!
Sure there were hard rock bands - the image you get from both the title and the cover photo of this fascinating book - but there were also the Beach Boys, The Mamas and Papas, Petula Clark and lots of small comedy and folk clubs. This was the music I gravitated to during 1965 and 1966 and I found lots to reminisce about on as I read and looked through this book. Of particular interest to me was the section on Teen TV shows which emanated from the LA scene. Though, growing up in the Philadelphia area, I was more of an American Bandstand viewer, we did get Lloyd Thaxton in the afternoon and, of course, Shindig! in the evening. Then there was the T.A.M.I. Show film - which still has never been legitimately been released on home video - and it was filmed there. Fiore devotes a large section to this and I learned things we "kids" on the East Coast never knew. Just looking at the picture, and reading the captions, was an experience.
I can certainly recommend this - as a memory jogger - to anyone who was a teen in 1965-66 and it'll definitely be a must for anyone who watch Rock and Roll television in Southern California in the 1960s.
Steve Ramm
"Anything Phonographic"


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Hip Hop America Review

Hip Hop America
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I read Hip Hop America. Not because I had ever heard of Nelson George or heard of his credits. Because I saw it, flipped a few pages and decided to read it. I loved it. I have been listening to hip hop music since the first time i spun Schooly D's PSK track. And Nelson George hits the nail on the head. he covers almost everything i could have wanted, although I would have liked more coverage on Tribe Called Quest and De La Sould as opposed to so much NWA material. What I liked best is how George is neither a critic or a fan (excluding PE of course). He's just an inside observer. He doesnt take many bias opinions, he just presents them. And the way he picks on not only hip hop culture, but things that affected hip hop and what hip hop has affected. Examples are Blaxploitation movies and Basketball in the 80's and 90's. If anyone is a smart hip hop fan then I recommend this book. I'm not talking about people who buy whatever is cool now (if you have a puff daddy album or a bel biv devoe album but dont listen to it anymore than i dont recommend this book), I'm talking straight up real hip hop fans. I also dont recommend this book for people who are trying to learn about hip hop. its gonna be like a foreign language. so give this book a try

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