Culture Clash: Life, Death and Revolutionary Comedy Review

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(More customer reviews)(Hee, hee, hee.) Psss...t! (Hee, hee, hee.) Wanna hear somethin' funny? Culture Clash. The book presents their most memorable work to date, although the point can be easily argued (e.g., at the Japan America Theatre, their wickedly hilarious, cathartic "S.O.S." following the mop-up of the L.A. Riots/Rebellion/African-Korean Turf Wars). "The Mission" (1988), "A Bowl of Beings" (1991), and "Radio Mambo: Culture Clash Invades Miami" (1994) are the published plays. Japanese-American playwright Philip Kan Gotanda introduces the Chicano comedy troupe--Herbert Siguenza, Ric Salinas, Richard Montoya--in a 9-pg. transcribed interview, covering the education and work experience of each member, group evolution, collective creation, and comedy group alliances. A 4-pg. glossary of bicultural terms/refs. can be found in front. Each play is prefaced by a different member of the group. BW production photos give the reader the illusion of watching the show in between script consultations.
I haven't seen "The Mission" yet, but I've caught other shows and benefits they've done, enough so that I could hear C.C. talking in my head as I read through the script. Weird. Lalo Guerrero's song "No Chicanos on TV" pretty much summarizes what this play is about and how desperate out-of-work actors can get, in this case kidnapping Julio Iglesias for their 15 minutes of fame. There's also some irreverent stuff (I didn't say irrelevant) about Father Junipero Serra.
"A Bowl of Beings" premiered at the Los Angeles Theatre Center in July 1991; it was the first time I saw them. I watched "Bowl" on PBS the following March and saw it yet again that October at Univ. of Calif., San Diego. My favorite part of the show is "Chicano on the Storm," where Richard is stuck in a straitjacket vomiting his multicultural nightmare.
"Radio Mambo," created from videotaped interviews with Miami residents, made me fall back in love with C.C. Their tremendous talents as performers were spotlighted as they had to go beyond the parameters of their usual stock characters. I caught "Mambo" at South Coast Rep's Second Stage in July 1996. The intimate setting worked for the play. It's a show whose power is in the close up--of the performer and the performed.

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First collection from the Latino/Chicano trio Culture Clash.