Jurgen: A comedy of justice Review

Jurgen: A comedy of justice
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"I have finished Jurgen; a great and beautiful book, and the saddest book I ever read. I don't know why, exactly. The book hurts me -- tears me to small pieces -- but somehow it sets me free. It says the word that I've been trying to pronounce for so long. It tells me everything I am, and have been, and may be, unsparingly...I don't know why I cry over it so much. It's too -- something-or-other -- to stand. I've been sitting here tonight, reading it aloud, with the tears streaming down my face..." -- Deems Taylor, in a letter dated December 12, 1920.
What can I add to that? Jurgen is on my short list of very favorite books. It wrestles, in its odd way, with the fundamental tragedy of human life in general and male life in particular: We are doomed to age and die; meanwhile happiness will prove elusive. Wow, I'm making this sound awfully depressing, aren't I? But that's not right. Jurgen is humorous and fun and weirdly uplifting. Jurgen's strange adventures manage to represent all that a man may pursue and aspire to. The tale burns, but in a wonderfully brilliant way. (I made that comment about the tragedy of "male life" because Jurgen is, among other things, the quintessential rogue. His notion of how happiness might be ideally pursued differs somewhat from the ideas of the females he holds discourse with. Thus does Cabell illustrate a reality that we can either acknowledge or deny; take your choice. Enlightened people will prefer the latter.)
Jurgen isn't for everyone. Some will "get it" and some won't. I once handed a copy to a person who returned it with the comment that he wasn't a fan of the S&S ("swords & sorcery") genre. This surprised me; the book can only be described as S&S by someone who does not look below the surface. I mention this not to mock but to warn. Jurgen may be better appreciated by those who are stirred by symbol and metaphor. We may not be prancing through a magical world as Jurgen does, but some of us will see echoes of our own dreams and nightmares in his story. If you're such a person, then Jurgen may hit you like a ton of bricks. Otherwise you'll chuck the manuscript against the wall.
It's worth noting that Jurgen, in its circumspect way, managed to offend the contemporary powers-that-be. The book is obscurely suggestive without being explicit; it went over the heads of some, but others saw what was going on, and they either guffawed or objected vigorously. There were serious attempts to suppress it, which of course only made the text notorious. It was (and still is) politically incorrect, and it garnered something of a counter-cultural following for all the wrong reasons. Well, so be it. The book is great, and that's all there is to say.
The tale incorporates supporting characters and environments rummaged from myth and history. You won't need to know all these background details to understand or enjoy the plot; however if you should want to follow up, some rabid fans (of which there were many) put together a collection of footnotes way back in 1928. It's long out of print, but you'll find an Amazon listing on it (Amazon lists everything!); search Amazon books for ASIN=B00085DJ0A. A copy of the notes is also posted online; search the web on the phrase "Notes on Jurgen".
If you buy the book, you'll want the Dover paperback edition (ISBN=0486235076), which is a trade paperback and includes the wonderful old illustrations. Holding this edition in my hands just feels right. There's also a great unabridged audio cassette (ISBN=1574534505), rendered by a troupe of actors. They do a very nice job, switching to the most appropriate character to read the text as the book progresses.
Cabell was a prolific author, with "Jurgen" being his best-known (and probably his greatest) work. If you're unfamiliar with Cabell, "Jurgen" is the book to start with. If you want to follow up, look for "Figures of Earth".


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A witty and irreverent landmark of modern fiction, this compelling fantasy recounts a time-traveler's adventures through a supernatural dreamscape in which he has romances with Guenevere and The Lady of the Lake and confrontations with God and the Devil. Unabridged republication of the definitive 1926 edition, with 13 full-page illustrations by Frank Papé.

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